What You Need To Know About Writing A Good Dissertation

What You Need To Know About Writing A Good DissertationIf you're thinking about writing a thesis, and you don't have the time or the means to do it yourself, thesis help may be just what you need. Without help, it can be difficult to produce a good thesis.Thesis help can come in many forms, and there are a few things that you should do when choosing your document. First, you should have some idea of what type of document you are preparing. Usually, students just want a dissertation, but if you are planning on submitting the document to a university for a degree, it may be more suitable to submit a research paper. For that, you'll need help.Second, you should make sure that you know exactly what you're doing before you start. This means researching your point of view, making sure that you know everything you need to know to write a thesis, getting your foot in the door at schools, and hiring someone to help you. If you hire a ghostwriter, you may have a higher grade on your dissertati on, but they may not even have read your work, which is bad for you.The third, and most important thing you need to do is hire someone to help you. This will help you when you have trouble getting your ideas down, as well as help you get over any obstacles that may be hindering you.These are the three things you need to know before you start writing a thesis, and they will help you create a very useful document. Once you have the three things you need, it will be much easier to write. It is important that you know what you are doing, and that you do it right.If you don't want to hire a ghostwriter, but you are learning how to do this on your own, you can learn all about it. You can get advice from the internet, online seminars, or even just talking to other people who have done this successfully. By keeping yourself updated, you can make sure that you are on the right track and that you have everything you need to know to make a good thesis.It can be hard to make a thesis and keep i t up to date, so it's important that you have a guide to help you through it. Don't let a lack of time or knowledge stop you from making a thesis.

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Vampires The Symbolism Of Horror In Dracula By Bram Stoker

Vampires have been around for centuries, they represent the fear of many things such as sexuality, race, gender, etc. and above all, they stand for the fear of diseases. Vampires have once been the symbol of horror due to their terrific depictions and were described as a threat to the humanity. Throughout time, the image of vampire has changed dramatically from a monstrous, inhumanely creature that doesn’t belong to human society to such an attractive and adaptive figure that expresses more of the human side than the evil. They developed human feelings, senses, and live within our society. Modern vampire movies are often more romantic and â€Å"sympathetic† comparing to the past. Vampires have abandoned their horror and evolved to a more†¦show more content†¦For example, in the article â€Å"Vampire Gentlemen and Zombie Beasts: A Rendering of True Monstrosity† by Tenga and Zimmerman, it shows the difference between vampires and zombies over time: â€Å" As Natalie Wilson notes, today’s vampires is ‘a lonely immortal longing for love, family, and approval’† (76). This quote shows how vampires have become more adaptive to human nature. They live for love, with the feeling of a human being, and wanting to be a part of our society. In addition, Tenga and Zimmerman also state: â€Å"Unlike Dracula, who inhabited a dilapidated castle, these vampires enjoy an opulent lifestyle, and perhaps more importantly, the accoutrements that represent their way of life can be purchased† (81). This shows that vampires have become more advanced in the way they live. In other words, they have abandoned their monstrous characteristics and inhumanity in order to preserve their kind. For instance, a scene from the movie Interview with The Vampire (1994) shows a vampire that was being interviewed by a man in the modern day. The vampire showed him his power, but surprisingly he was not afraid, but amazed. The vampire recounte d his past, 200 years ago, when he was bitten by another vampire and turned into one. The clip shows that he used to kill and drain blood from people, but as time passes he chose to feed on animals. As the result, the vampire survived and live along with human for 200 years. He cooperated with theShow MoreRelatedThe Use Of Gothic Elements In Dracula By Bram Stoker1698 Words   |  7 PagesVampires: How They Were Made Most people wonder where the idea of vampires came from and how did the first one come about. The novel, Dracula, is set and written in the nineteenth century during the Victorian era. The Victorian people had certain beliefs about Christianity and the roles of men and women in society. Women were allowed only to do certain things and were expected to do specific things in regards to men. The Victorian people also had their own interpretation of superstitions. StokerRead MoreSexuality In Bram Stokers Dracula1082 Words   |  5 PagesSexuality in Bram Stoker s DraculaBram Stoker s Dracula, favorably received by critics upon publication in 1897, entertained its Victorian audience with unspeakable horrors such as vampires invading bedrooms to prey on beautiful maidens under the guise of night. The novel s eroticism proved even more unspeakable. Received in the era of repression, it remains questionable whether Dracula s readership perceived the sexuality flowing from the page. An advocate for the censorship of sexual materialRead MoreDracula, By Bram Stoker1039 Words   |  5 PagesBram Stoker creates a well written novel that engages the reader. He designs this novel to contain several techniques which bring character and originality to his writing. Bram Stoker refers to an abnormal character appearance in his work to convey his messages in a mysterious manner to the readers. Meanwhile, Stoker properly establishes the mythology of vampires to help readers appreciate, interpret and analyze the elements of vampirism more efficiently. Stoker writes his novel in such away thatRead MoreDraculas Book Report Essays1276 Words   |  6 PagesBram Stoker Bram Stoker (1847-1912) is best known as the author of Dracula. Abraham Stoker was born in Clontarf, Ireland in 1847. He was a sickly child, bedridden for much of his boyhood. As a student at Trinity College, however, he excelled in athletics as well as academics, and graduated with honors in mathematics in 1870. He worked for ten years in the Irish Civil Service, and during this time contributed drama criticism to the Dublin Mail. Despite an active personal and professional life,Read MoreDracula, By Bram Stoker1769 Words   |  8 PagesThe novel, Dracula, was written by Bram Stoker in the late eighteen hundreds. The setting of Dracula is during the end of the nineteenth century, in England and Eastern Europe. The entirety of the novel is based on a vampire with heinous intentions that he casts upon a group of English citizens whom decide to rid the town of his evil. While reading the novel it is apparent that the genre is horror and gothic and that the tone is very dark and dramati c. Bram Stoker does this in a very intentionalRead MoreDifferent Perception of Women: Dracula by Bram Stoker1850 Words   |  8 PagesIn the late 19th century, when Dracula by Bram Stoker is written, women were only perceived as conservative housewives, only tending to their family’s needs and being solely dependent of their husbands to provide for them. This novel portrays that completely in accordance to Mina Harker, but Lucy Westenra is the complete opposite. Lucy parades around in just her demeanor as a promiscuous and sexual person. While Mina only cares about learning new things in order to assist her soon-to-be husband JonathanRead MoreAnalysis Of Bram Stoker s Dracula1448 Words   |  6 PagesDracula is a widely known novel written by Bram Stoker in 1897. It is popular worldwide for its intense love story and backstory of the infamous Count Dracula. Stoker was born in Dublin, Ireland in 1847. As a child, he was very ill, so in an attempt to entertain himself, he rea d several books and listened to the horror stories his mother told him. In turn, Stoker became interested in ghost stories and began writing them. Gothic fiction was a genre that was extremely popular during this time periodRead MoreDracula - Symbolism of Blood1256 Words   |  6 PagesIn Bram Stoker s Dracula, the most blatant and powerful symbol is blood. He takes the blood that means so much to the believers of this legend and has it represent more than even they could imagine. Blood is the main object associated with vampires and vampirism. From a mythical standpoint, it is the basis of life for the vampires as they feed off of the blood of young, vibrant souls. From a more scientific standpoint blood is what would drip out of the corpse s mouth when family members wouldRead MoreGothic Horror : The Epic Battle Of Good Versus Evil2409 Words   |  10 PagesGothic horror, what does it symbolize, does it connect to our modern lives, what exactly is it? Gothic horror is the genre of literature that has elements of both romance and horror. Gothic horror is very dark, stormy full of eerie winds and is usually set in an old mansion or in castles on high cliffs. Usually gothic horror is a combination of fiction, horror, and romance. This genre was famous throughout England and had and still does have a big influence on British culture and how they live theirRead MoreDracul A Fundamental Step Stone For Horror Literature1449 Words   |  6 PagesWritten and set in the Victorian era, Bram Stoker’s novel Dracula is a fundamental stepping-stone for horror literature. Unlike most novels of its time, Dracula not only showcased the ideals of its era, but it completely flipped it on its head. Firstly, there are numerous examples of female sexuality and symbolism throughout the entire novel. In Victorian society, it was believed that women had no sex drive and only partook in sex when their male partners insisted. It was unheard of for a female

Jaws Essay Example For Students

Jaws Essay Jaws, is a 1970s classic, directed by one of todays most accomplished directors, Steven Spielberg. This legendary film is amongst the most enduring action suspense films of all time, staring Roy Schneider as Chief Brody. The main protagonist struggles to undertake the task of ending the torment of a Great White Shark feeding on the locals. Jaws was filmed in 1975 on the coast of the very elegant Amity Island. Steven Spielberg set Jaws during the two or three advancing days prior to 4th July, Americas Independence Day as that is the time a location like Amity Island would be at its busiest, due to its strongest industry being tourism. This meant various families would be arriving down for a holiday in Amity as it is a beach resort with many recreational facilities. There is however a substantial problem, these innocent families have not got a clue that a vicious Great White Shark is in the ocean constantly waiting for its next defenceless victim to feast vigorously upon. During the forthcoming days, hundreds of innocent tourists will be visiting the beach, with a vast percentage of them intruding the sharks current territory at some time or another. Consequently, there is a sense of dramatic irony because the audience are aware that there is a menacing Great White Shark pursuing the seas and are conscious of the strengths the disastrous creature possesses. Unfortunately the hundreds of visitors attending the beach in the film are unaware that in the sea a mighty, corrupt and baneful shark is present. Jaws first hit the screens in 1975 and was an instant blockbuster, a phenomenon and today it is still among the highest grossing films in motion picture history, acclaimed by both audiences and critics alike. When Jaws was realised the spectators may have been hugely intimidated by some of the eerie and frightening scenes. Several individuals may have even attained a phobia for swimming in the sea, since no shark film had ever been screened, which came to Jaws in terms of reality. Jaws may well have been awarded a higher age certificate in 1975, than what it is at present, as the encounters the victims in the film experienced in the company of the shark would have a repulsive spectacle for the viewers. The realistic encounters which Steven Spielberg exhibits in Jaws, would have been rare for a film in the 1970s. Jaws was based on the novel published by Peter Benchley. The director was forced to change a lot of the story since the book had far too much information in it for movie. Steven Spielberg also wished to include some of his own individual writing in a film. Steven Spielberg exploits various techniques to create suspense and scare to the audience in this alarming motion picture. Music is a technique the director capitalises on to construct audience suspense. Jaws is connected to the music in the title sequence by the score beginning quiet and slow, then gradually building up with tension which would present the audience with irritation subsequently they would be thinking, What is the shark going to do next? . There is a build up in the music and gradually amplifies louder and faster, this would uncomfort the audience as it gives them an indication the shark is approaching its prey. The sound of a mouth organ being played at the beach party symbolises and also suggests to the audience something repulsive is going to happen as it clashes with the blissful sensation of teenagers together around the complacent fire. Later in the opening scene a girl runs out to sea with a drunken boy who flounders behind as she plunges into the ocean. .u60db16e0c5dc730576398b224fcd36bc , .u60db16e0c5dc730576398b224fcd36bc .postImageUrl , .u60db16e0c5dc730576398b224fcd36bc .centered-text-area { min-height: 80px; position: relative; } .u60db16e0c5dc730576398b224fcd36bc , .u60db16e0c5dc730576398b224fcd36bc:hover , .u60db16e0c5dc730576398b224fcd36bc:visited , .u60db16e0c5dc730576398b224fcd36bc:active { border:0!important; } .u60db16e0c5dc730576398b224fcd36bc .clearfix:after { content: ""; display: table; clear: both; } .u60db16e0c5dc730576398b224fcd36bc { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u60db16e0c5dc730576398b224fcd36bc:active , .u60db16e0c5dc730576398b224fcd36bc:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u60db16e0c5dc730576398b224fcd36bc .centered-text-area { width: 100%; position: relative ; } .u60db16e0c5dc730576398b224fcd36bc .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u60db16e0c5dc730576398b224fcd36bc .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u60db16e0c5dc730576398b224fcd36bc .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u60db16e0c5dc730576398b224fcd36bc:hover .ctaButton { background-color: #34495E!important; } .u60db16e0c5dc730576398b224fcd36bc .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u60db16e0c5dc730576398b224fcd36bc .u60db16e0c5dc730576398b224fcd36bc-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u60db16e0c5dc730576398b224fcd36bc:after { content: ""; display: block; clear: both; } READ: Kenneth Branagh's Much Ado About Nothing EssayWhilst this girl is swimming, the music unexpectedly stops, the audience gain an emotion of unease and anxiousness since the spectators are on the edge of their seats in anticipation, but not having the slightest clue of what is going to happen next. This also creates an impression that she is very isolated because she is unaccompanied far out in the sea, and the stoned boy she was with, is laying half dead on the sand. The camera focuses on the point of view of the shark and is under the sea, looking at the unprotected girl kicking her legs. The scary music starts abruptly, the audience instantaneously realise it is the sharks point of view staring at the girl as it approached her rapidly. Music and silence are used to petrify the audience or create tension by the uncomfortable sudden silence after the shark attack, as the girl was screaming, crying and yelling obscure words only seconds ago; this expresses to the audience the girl is dead. The abrupt end of the girl was tremendously eerie and frightening. Towards the closing scene of the first shark assault, the viewers only distinguish the sound of the waves crashing down on the surface. This is very eerie as it indicates the end of the attack, and the mysterious aquamarine ocean is once again placid and at ease after the untamed and savage attack by a shark. The director utilises a range of camera techniques to succeed in his task of building up tension in the scene of the second attack, by his use of colour and particular camera shots on the characters. As the second attack scene commences, the director exploits a tracking shot of the young boy, Alex. Alex approaches his mother from the sea to ask permission for a little more time in the sea. The audience notice the use of colour that Steven Spielberg uses. Alex approaches his mother wearing red swimming shorts, while his mother is wearing a yellow Mexican styled hat. When the audience see the affection and warmth the mother gives to Alex, they feel sympathy for the mother at the end when Alex is killed because the audience knew how much the mother loved him. These two colours symbolise two very different meanings. The red signifies blood, and the yellow signifies happiness. When Alex is permitted by his mother to go back to sea for a further ten minutes, he goes to fetch a lilo. The camera meanwhile turns its attention to Chief Brody. It gives a close up of him keeping a close eye on the sea for anything irregular, which informs the audience hes apprehensive about the current situation. Meanwhile the atmosphere of people around Brody is happy and lively. The camera then jump cuts to a tracking shot of a teenager tossing a broad twig out to sea to his black dog. The camera returns to Brodys face, which is still looking stressed, gazing in the region of the sea. When Alex re-emerges in the background he has a yellow lilo in his hands; the camera shot immediately focuses on the yellow lilo and Alex. The camera again jump cuts and the audience witness a mid-shot of the black dog which is totally remote, swimming back to shore with te twig. The natural sound hints danger an separation. The camera returns with a tracking shit of Alex who runs into the water, gets on top of his lilo and paddles out to sea. The director exploits a long shot of Alex on the yellow lilo. By carrying out this shot, it presents an impression that he is far out at sea and further away than anyone else. The shot creates the idea that Alex is small and vulnerable as he is practically apart from the rest of the swimmers which makes him a clearer target for the shark. The fact that Alex is small, vulnerable and isolated, specifies to the audience and gives to them an impression that something significant is about to happen, this is also due to the fact the camera is constantly focusing on him. .u98c6936a28498d5a3e3fc1e48e5df27b , .u98c6936a28498d5a3e3fc1e48e5df27b .postImageUrl , .u98c6936a28498d5a3e3fc1e48e5df27b .centered-text-area { min-height: 80px; position: relative; } .u98c6936a28498d5a3e3fc1e48e5df27b , .u98c6936a28498d5a3e3fc1e48e5df27b:hover , .u98c6936a28498d5a3e3fc1e48e5df27b:visited , .u98c6936a28498d5a3e3fc1e48e5df27b:active { border:0!important; } .u98c6936a28498d5a3e3fc1e48e5df27b .clearfix:after { content: ""; display: table; clear: both; } .u98c6936a28498d5a3e3fc1e48e5df27b { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u98c6936a28498d5a3e3fc1e48e5df27b:active , .u98c6936a28498d5a3e3fc1e48e5df27b:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u98c6936a28498d5a3e3fc1e48e5df27b .centered-text-area { width: 100%; position: relative ; } .u98c6936a28498d5a3e3fc1e48e5df27b .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u98c6936a28498d5a3e3fc1e48e5df27b .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u98c6936a28498d5a3e3fc1e48e5df27b .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u98c6936a28498d5a3e3fc1e48e5df27b:hover .ctaButton { background-color: #34495E!important; } .u98c6936a28498d5a3e3fc1e48e5df27b .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u98c6936a28498d5a3e3fc1e48e5df27b .u98c6936a28498d5a3e3fc1e48e5df27b-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u98c6936a28498d5a3e3fc1e48e5df27b:after { content: ""; display: block; clear: both; } READ: Monomyth Cycle in Star Wars EssayAlexs isolation frightens the audience because they anticipate something bad is destined to happen to him. Chief Brody continues to watch the water, and is still very anxious about the current situation of a possible sharks presence in the sea. A close up shot of his face reveals just how much he is agitated with his eyes firmly fixed on the sea. Three jump cuts of him watching the sea also verify to the audience that he is observing the sea exceedingly carefully. The audience would share his concern since they know what could be pout there. A point of view shot is taken when Brody identifies a black object swimming towards people. This frightens the audience because many of them would presume it is the shark. They are however hugely relieved when they see it was an old man swimming underwater with a black swimming hat on. The shot would have put the audience through the similar emotion to Brody, due to the fact they were watching the incident precisely how Brody would have seen it. Brody is immensely grateful it was not a shark, but is only slightly relaxed. A sunburnt man approaches Brody and begins talking to him blocking Brodys view of the sea.