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Vampires The Symbolism Of Horror In Dracula By Bram Stoker

Vampires have been around for centuries, they represent the fear of many things such as sexuality, race, gender, etc. and above all, they stand for the fear of diseases. Vampires have once been the symbol of horror due to their terrific depictions and were described as a threat to the humanity. Throughout time, the image of vampire has changed dramatically from a monstrous, inhumanely creature that doesn’t belong to human society to such an attractive and adaptive figure that expresses more of the human side than the evil. They developed human feelings, senses, and live within our society. Modern vampire movies are often more romantic and â€Å"sympathetic† comparing to the past. Vampires have abandoned their horror and evolved to a more†¦show more content†¦For example, in the article â€Å"Vampire Gentlemen and Zombie Beasts: A Rendering of True Monstrosity† by Tenga and Zimmerman, it shows the difference between vampires and zombies over time: â€Å" As Natalie Wilson notes, today’s vampires is ‘a lonely immortal longing for love, family, and approval’† (76). This quote shows how vampires have become more adaptive to human nature. They live for love, with the feeling of a human being, and wanting to be a part of our society. In addition, Tenga and Zimmerman also state: â€Å"Unlike Dracula, who inhabited a dilapidated castle, these vampires enjoy an opulent lifestyle, and perhaps more importantly, the accoutrements that represent their way of life can be purchased† (81). This shows that vampires have become more advanced in the way they live. In other words, they have abandoned their monstrous characteristics and inhumanity in order to preserve their kind. For instance, a scene from the movie Interview with The Vampire (1994) shows a vampire that was being interviewed by a man in the modern day. The vampire showed him his power, but surprisingly he was not afraid, but amazed. The vampire recounte d his past, 200 years ago, when he was bitten by another vampire and turned into one. The clip shows that he used to kill and drain blood from people, but as time passes he chose to feed on animals. As the result, the vampire survived and live along with human for 200 years. He cooperated with theShow MoreRelatedThe Use Of Gothic Elements In Dracula By Bram Stoker1698 Words   |  7 PagesVampires: How They Were Made Most people wonder where the idea of vampires came from and how did the first one come about. The novel, Dracula, is set and written in the nineteenth century during the Victorian era. The Victorian people had certain beliefs about Christianity and the roles of men and women in society. Women were allowed only to do certain things and were expected to do specific things in regards to men. The Victorian people also had their own interpretation of superstitions. StokerRead MoreSexuality In Bram Stokers Dracula1082 Words   |  5 PagesSexuality in Bram Stoker s DraculaBram Stoker s Dracula, favorably received by critics upon publication in 1897, entertained its Victorian audience with unspeakable horrors such as vampires invading bedrooms to prey on beautiful maidens under the guise of night. The novel s eroticism proved even more unspeakable. Received in the era of repression, it remains questionable whether Dracula s readership perceived the sexuality flowing from the page. An advocate for the censorship of sexual materialRead MoreDracula, By Bram Stoker1039 Words   |  5 PagesBram Stoker creates a well written novel that engages the reader. He designs this novel to contain several techniques which bring character and originality to his writing. 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Despite an active personal and professional life,Read MoreDracula, By Bram Stoker1769 Words   |  8 PagesThe novel, Dracula, was written by Bram Stoker in the late eighteen hundreds. The setting of Dracula is during the end of the nineteenth century, in England and Eastern Europe. The entirety of the novel is based on a vampire with heinous intentions that he casts upon a group of English citizens whom decide to rid the town of his evil. While reading the novel it is apparent that the genre is horror and gothic and that the tone is very dark and dramati c. Bram Stoker does this in a very intentionalRead MoreDifferent Perception of Women: Dracula by Bram Stoker1850 Words   |  8 PagesIn the late 19th century, when Dracula by Bram Stoker is written, women were only perceived as conservative housewives, only tending to their family’s needs and being solely dependent of their husbands to provide for them. This novel portrays that completely in accordance to Mina Harker, but Lucy Westenra is the complete opposite. Lucy parades around in just her demeanor as a promiscuous and sexual person. While Mina only cares about learning new things in order to assist her soon-to-be husband JonathanRead MoreAnalysis Of Bram Stoker s Dracula1448 Words   |  6 PagesDracula is a widely known novel written by Bram Stoker in 1897. It is popular worldwide for its intense love story and backstory of the infamous Count Dracula. Stoker was born in Dublin, Ireland in 1847. As a child, he was very ill, so in an attempt to entertain himself, he rea d several books and listened to the horror stories his mother told him. In turn, Stoker became interested in ghost stories and began writing them. Gothic fiction was a genre that was extremely popular during this time periodRead MoreDracula - Symbolism of Blood1256 Words   |  6 PagesIn Bram Stoker s Dracula, the most blatant and powerful symbol is blood. He takes the blood that means so much to the believers of this legend and has it represent more than even they could imagine. Blood is the main object associated with vampires and vampirism. From a mythical standpoint, it is the basis of life for the vampires as they feed off of the blood of young, vibrant souls. From a more scientific standpoint blood is what would drip out of the corpse s mouth when family members wouldRead MoreGothic Horror : The Epic Battle Of Good Versus Evil2409 Words   |  10 PagesGothic horror, what does it symbolize, does it connect to our modern lives, what exactly is it? Gothic horror is the genre of literature that has elements of both romance and horror. Gothic horror is very dark, stormy full of eerie winds and is usually set in an old mansion or in castles on high cliffs. Usually gothic horror is a combination of fiction, horror, and romance. This genre was famous throughout England and had and still does have a big influence on British culture and how they live theirRead MoreDracul A Fundamental Step Stone For Horror Literature1449 Words   |  6 PagesWritten and set in the Victorian era, Bram Stoker’s novel Dracula is a fundamental stepping-stone for horror literature. Unlike most novels of its time, Dracula not only showcased the ideals of its era, but it completely flipped it on its head. Firstly, there are numerous examples of female sexuality and symbolism throughout the entire novel. In Victorian society, it was believed that women had no sex drive and only partook in sex when their male partners insisted. It was unheard of for a female

Jaws Essay Example For Students

Jaws Essay Jaws, is a 1970s classic, directed by one of todays most accomplished directors, Steven Spielberg. This legendary film is amongst the most enduring action suspense films of all time, staring Roy Schneider as Chief Brody. The main protagonist struggles to undertake the task of ending the torment of a Great White Shark feeding on the locals. Jaws was filmed in 1975 on the coast of the very elegant Amity Island. Steven Spielberg set Jaws during the two or three advancing days prior to 4th July, Americas Independence Day as that is the time a location like Amity Island would be at its busiest, due to its strongest industry being tourism. This meant various families would be arriving down for a holiday in Amity as it is a beach resort with many recreational facilities. There is however a substantial problem, these innocent families have not got a clue that a vicious Great White Shark is in the ocean constantly waiting for its next defenceless victim to feast vigorously upon. During the forthcoming days, hundreds of innocent tourists will be visiting the beach, with a vast percentage of them intruding the sharks current territory at some time or another. Consequently, there is a sense of dramatic irony because the audience are aware that there is a menacing Great White Shark pursuing the seas and are conscious of the strengths the disastrous creature possesses. Unfortunately the hundreds of visitors attending the beach in the film are unaware that in the sea a mighty, corrupt and baneful shark is present. Jaws first hit the screens in 1975 and was an instant blockbuster, a phenomenon and today it is still among the highest grossing films in motion picture history, acclaimed by both audiences and critics alike. When Jaws was realised the spectators may have been hugely intimidated by some of the eerie and frightening scenes. Several individuals may have even attained a phobia for swimming in the sea, since no shark film had ever been screened, which came to Jaws in terms of reality. Jaws may well have been awarded a higher age certificate in 1975, than what it is at present, as the encounters the victims in the film experienced in the company of the shark would have a repulsive spectacle for the viewers. The realistic encounters which Steven Spielberg exhibits in Jaws, would have been rare for a film in the 1970s. Jaws was based on the novel published by Peter Benchley. The director was forced to change a lot of the story since the book had far too much information in it for movie. Steven Spielberg also wished to include some of his own individual writing in a film. Steven Spielberg exploits various techniques to create suspense and scare to the audience in this alarming motion picture. Music is a technique the director capitalises on to construct audience suspense. Jaws is connected to the music in the title sequence by the score beginning quiet and slow, then gradually building up with tension which would present the audience with irritation subsequently they would be thinking, What is the shark going to do next? . There is a build up in the music and gradually amplifies louder and faster, this would uncomfort the audience as it gives them an indication the shark is approaching its prey. The sound of a mouth organ being played at the beach party symbolises and also suggests to the audience something repulsive is going to happen as it clashes with the blissful sensation of teenagers together around the complacent fire. Later in the opening scene a girl runs out to sea with a drunken boy who flounders behind as she plunges into the ocean. .u60db16e0c5dc730576398b224fcd36bc , .u60db16e0c5dc730576398b224fcd36bc .postImageUrl , .u60db16e0c5dc730576398b224fcd36bc .centered-text-area { min-height: 80px; position: relative; } .u60db16e0c5dc730576398b224fcd36bc , .u60db16e0c5dc730576398b224fcd36bc:hover , .u60db16e0c5dc730576398b224fcd36bc:visited , .u60db16e0c5dc730576398b224fcd36bc:active { border:0!important; } .u60db16e0c5dc730576398b224fcd36bc .clearfix:after { content: ""; display: table; clear: both; } .u60db16e0c5dc730576398b224fcd36bc { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u60db16e0c5dc730576398b224fcd36bc:active , .u60db16e0c5dc730576398b224fcd36bc:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u60db16e0c5dc730576398b224fcd36bc .centered-text-area { width: 100%; position: relative ; } .u60db16e0c5dc730576398b224fcd36bc .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u60db16e0c5dc730576398b224fcd36bc .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u60db16e0c5dc730576398b224fcd36bc .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u60db16e0c5dc730576398b224fcd36bc:hover .ctaButton { background-color: #34495E!important; } .u60db16e0c5dc730576398b224fcd36bc .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u60db16e0c5dc730576398b224fcd36bc .u60db16e0c5dc730576398b224fcd36bc-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u60db16e0c5dc730576398b224fcd36bc:after { content: ""; display: block; clear: both; } READ: Kenneth Branagh's Much Ado About Nothing EssayWhilst this girl is swimming, the music unexpectedly stops, the audience gain an emotion of unease and anxiousness since the spectators are on the edge of their seats in anticipation, but not having the slightest clue of what is going to happen next. This also creates an impression that she is very isolated because she is unaccompanied far out in the sea, and the stoned boy she was with, is laying half dead on the sand. The camera focuses on the point of view of the shark and is under the sea, looking at the unprotected girl kicking her legs. The scary music starts abruptly, the audience instantaneously realise it is the sharks point of view staring at the girl as it approached her rapidly. Music and silence are used to petrify the audience or create tension by the uncomfortable sudden silence after the shark attack, as the girl was screaming, crying and yelling obscure words only seconds ago; this expresses to the audience the girl is dead. The abrupt end of the girl was tremendously eerie and frightening. Towards the closing scene of the first shark assault, the viewers only distinguish the sound of the waves crashing down on the surface. This is very eerie as it indicates the end of the attack, and the mysterious aquamarine ocean is once again placid and at ease after the untamed and savage attack by a shark. The director utilises a range of camera techniques to succeed in his task of building up tension in the scene of the second attack, by his use of colour and particular camera shots on the characters. As the second attack scene commences, the director exploits a tracking shot of the young boy, Alex. Alex approaches his mother from the sea to ask permission for a little more time in the sea. The audience notice the use of colour that Steven Spielberg uses. Alex approaches his mother wearing red swimming shorts, while his mother is wearing a yellow Mexican styled hat. When the audience see the affection and warmth the mother gives to Alex, they feel sympathy for the mother at the end when Alex is killed because the audience knew how much the mother loved him. These two colours symbolise two very different meanings. The red signifies blood, and the yellow signifies happiness. When Alex is permitted by his mother to go back to sea for a further ten minutes, he goes to fetch a lilo. The camera meanwhile turns its attention to Chief Brody. It gives a close up of him keeping a close eye on the sea for anything irregular, which informs the audience hes apprehensive about the current situation. Meanwhile the atmosphere of people around Brody is happy and lively. The camera then jump cuts to a tracking shot of a teenager tossing a broad twig out to sea to his black dog. The camera returns to Brodys face, which is still looking stressed, gazing in the region of the sea. When Alex re-emerges in the background he has a yellow lilo in his hands; the camera shot immediately focuses on the yellow lilo and Alex. The camera again jump cuts and the audience witness a mid-shot of the black dog which is totally remote, swimming back to shore with te twig. The natural sound hints danger an separation. The camera returns with a tracking shit of Alex who runs into the water, gets on top of his lilo and paddles out to sea. The director exploits a long shot of Alex on the yellow lilo. By carrying out this shot, it presents an impression that he is far out at sea and further away than anyone else. The shot creates the idea that Alex is small and vulnerable as he is practically apart from the rest of the swimmers which makes him a clearer target for the shark. The fact that Alex is small, vulnerable and isolated, specifies to the audience and gives to them an impression that something significant is about to happen, this is also due to the fact the camera is constantly focusing on him. .u98c6936a28498d5a3e3fc1e48e5df27b , .u98c6936a28498d5a3e3fc1e48e5df27b .postImageUrl , .u98c6936a28498d5a3e3fc1e48e5df27b .centered-text-area { min-height: 80px; position: relative; } .u98c6936a28498d5a3e3fc1e48e5df27b , .u98c6936a28498d5a3e3fc1e48e5df27b:hover , .u98c6936a28498d5a3e3fc1e48e5df27b:visited , .u98c6936a28498d5a3e3fc1e48e5df27b:active { border:0!important; } .u98c6936a28498d5a3e3fc1e48e5df27b .clearfix:after { content: ""; display: table; clear: both; } .u98c6936a28498d5a3e3fc1e48e5df27b { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u98c6936a28498d5a3e3fc1e48e5df27b:active , .u98c6936a28498d5a3e3fc1e48e5df27b:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u98c6936a28498d5a3e3fc1e48e5df27b .centered-text-area { width: 100%; position: relative ; } .u98c6936a28498d5a3e3fc1e48e5df27b .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u98c6936a28498d5a3e3fc1e48e5df27b .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u98c6936a28498d5a3e3fc1e48e5df27b .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u98c6936a28498d5a3e3fc1e48e5df27b:hover .ctaButton { background-color: #34495E!important; } .u98c6936a28498d5a3e3fc1e48e5df27b .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u98c6936a28498d5a3e3fc1e48e5df27b .u98c6936a28498d5a3e3fc1e48e5df27b-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u98c6936a28498d5a3e3fc1e48e5df27b:after { content: ""; display: block; clear: both; } READ: Monomyth Cycle in Star Wars EssayAlexs isolation frightens the audience because they anticipate something bad is destined to happen to him. Chief Brody continues to watch the water, and is still very anxious about the current situation of a possible sharks presence in the sea. A close up shot of his face reveals just how much he is agitated with his eyes firmly fixed on the sea. Three jump cuts of him watching the sea also verify to the audience that he is observing the sea exceedingly carefully. The audience would share his concern since they know what could be pout there. A point of view shot is taken when Brody identifies a black object swimming towards people. This frightens the audience because many of them would presume it is the shark. They are however hugely relieved when they see it was an old man swimming underwater with a black swimming hat on. The shot would have put the audience through the similar emotion to Brody, due to the fact they were watching the incident precisely how Brody would have seen it. Brody is immensely grateful it was not a shark, but is only slightly relaxed. A sunburnt man approaches Brody and begins talking to him blocking Brodys view of the sea.

Service Innovation in Hospitality Industry free essay sample

By shifting focus from „Goods-Dominant Logic? to „Service-Dominant Logic? , Service Science presents a new perspective on value creation and service experience. In this new perspective, value is co-created by various roles, experienced and evaluated by customers. However, the problem is how to implement theories in a specific industry. Focusing on hotel industry, this paper aims to illustrate how service evolves with the development of technology and theory based on the case study of InfoQuest, which is an IT company mainly providing SaberKnot. InfoQuest redefines several economic roles (hotels, IT system provider, local businesses and customers) and relationships among them (from a linear model to a netlike model) where it injects Hotel Industry with new vitality. Both competitive advantages and potential problems that might arise from the service innovation are subsequently discussed. At last, a further analysis is made on the China market in order to show the possibility of that business entering into China. We will write a custom essay sample on Service Innovation in Hospitality Industry or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page I Acknowledgements Acknowledgements are given to all the people who supported me with the dissertation. First, I am deeply indebted to my supervisors Mr. Lars Haglund and Mr. Erik Sundstro for their m, stimulating suggestions and helpful cooperation in the time of writing this dissertation. I should also express my gratitude to InfoQuest where I worked during the time of writing this thesis. Special thanks should be made to Mr. Ronald U. Telson, Mr. Christer Hellholm, Ms. Lena Bryske, and other colleagues who provided a lot of useful information and valuable ideas and suggestions. Most importantly, none of this would have been possible without the love and patience of my family and my friends. For many of travelers in their vacation, visit or business trip, hotels are places they stay when out of home. As a mature industry, hotels industry now includes all types of lodging from luxurious 5-star hotels to youth hostels. Besides room services, most hotels also offer a variety of accessorial services, including but not limited to food, beverage, laundry and valet services. Additionally, the high level hotels can offer conference rooms, swimming pools, beauty salons, fitness centers and many other facilities to both business and leisure travelers. Information technology (IT) is defined by the Information Technology Association of America (ITAA) as the study, design, development, implementation, support or management of computer-based information systems, particularly software applications and computer hardware. Compared to hotel industry, Information technology came out rather recently, but has developed into one of the biggest industries with influences to most other industries. In hotel industry, the possibility to supply qualified IT services is regarded as one of the prerequisites for, at least, top level hotels. Service Science is an emerging discipline that focuses on fundamental science, models, theories and applications to drive innovation, competition, and quality of life through service(s) (Bitner, Brown, Goul and Urban, 2006). Through shifting from Goods-Dominant Logic to Service-Dominant Logic, Service Science focuses on â€Å"operant resources† rather than -1- â€Å"operand resources†, which implies all economies are service economies. It maintains that services (including goods and services) co-created by stakeholders and customers can only be experienced and evaluated by customers. . 2 Objectives and structure InfoQuest Group AB (InfoQuest) is a company specializes in the IT segment with the purpose to bring its customers and partners innovative solutions. With the help of Information Technology, the company introduces a service innovation into hotel industry, which is the gravity of the research. The service innovation redefines several economic roles (hotels, IT sys tem provider, local businesses and customers) and relationships among them (from a linear model to a netlike model). This thesis aims to examine (1) the competitive advantages and potential problems that might be brought by this service innovation and (2) the possibility to transplant such the new business model created by InfoQuest in Europe to China market, taking into account service theory. The structure of the dissertation can be described as follow: ? Service literature review ? which first provides a summary of Service Science and service innovation and then compares Goods-Dominant Logic with Service-Dominant Logic; ? Corporation description which introduces InfoQuest and its main product SaberKnot, in particular its technical principles and commercial principles; ? Service innovation in hotel industry ? Roles redefinition; ? Value co-creation; ? Competitive advantages; ? Potential problems; ? Market opportunity analysis in China ? China market introduction; ? Typical local businesses; ? Opportunities; -2- ? Difficulties and risks; ? Conclusion. 1. 3 Methodology This thesis focuses on resear ch of service innovation in hotel industry. In order to carry out an in-depth investigation, this thesis adopts case study as the research design. A company named InfoQuest and its flagship product SaberKnot show us a possible way to innovate service in hotel industry, which is the case of this thesis. I choose InfoQuest as the case is because its new netlike business model involves both the shifting from Goods-Dominant Logic to Service-Dominant Logic and service innovation in hotel industry, which can confirm and supplement existed theory. ? Data collection The research methods used in this thesis mainly include documents review, secondary analysis, participant observation, official statistics, etc. Bryman and Bell (2007) pointed out the importance of literature review, most obvious reason of which is to know what is already known in the research area. From academic literature review, we can see advantages in the shifting from Goods-Dominant Logic to Service-Dominant Logic and theories of service innovation. There are quite a lot researches related to service theory and service innovation, so my study starts from a literature review to build up a theoretical basis, which covers the fields of service definition, Service-Dominant Logic, Goods-Dominant Logic, service innovation, etc. Literature resources include academic papers, books, and web pages, which provide me with existing research achievements in this field. However, most of these literatures do not focus on service innovation in a specific industry, and no primary data can be acquired from literature review. According to Bryman and Bell (2007), â€Å"the basic case study entails the detailed and intensive analysis of single case. † From their opinion, a case can be an organization, a location, a person, or an event, etc. They also mentioned that qualitative methods, such as participant observation and unstructured interviewing, are very helpful methods in case study. The information of InfoQuest and SaberKnot is collected from several channels, including internal documents, participant observation, communication with colleagues, etc. In addition, the raw -3- materials used in China market analysis are mainly collected from official statistics. Most tables are quoted from website of National Tourism Administration of The People? s China, and website of National Bureau of Statistics of China. Other statistics and policies are referred to websites of local governments or organizations. Some information from companies? ebsites is also used to make competitor analysis. According to Vargo and Lusch (2007), â€Å"the value network member that is the prime integrator is in a stronger competitive position†. In our case, no prime â€Å"integrator† exists, but it does need a prime or core player who leads members in the network to go forward. The dominant position makes core player to own more influence in the network, which is the reason why participants contend for it. It is not a big issue if everything goes well in the network, but the threat is how to deal with the faults, if any, emerging in this loosely organized system, which will become crucial. For example, if a shop in the network being complained by customers several times, who should take the responsibility to decide whether to keep the shop any longer for its own-remedy or to kick it out immediately? In addition, other issues following the service innovation include how much power the prime player is supposed to possess, how to supervise the use of power, etc. Among the four types of participants, customers are not suitable to act as prime player in terms of leading power, although being

Requisitos y medidas foto visa EE.UU. y cómo subirla

Requisitos y medidas foto visa EE.UU. y cà ³mo subirla Las fotos para las visas no inmigrantes, visas de inmigrantes y para participar en el sorteo de la loterà ­a de visas de diversidad de EE.UU. deben cumplir requisitos sobre cà ³mo debe lucir en ellas el fotografiado y medidas. Adems, en los casos en los que es necesario subir la foto al formulario de solicitud del visado, la imagen debe cumplir con los parmetros de peso, dimensiones y formato. Antes de seguir con este artà ­culo cabe destacar que no todos los solicitantes de visa para Estados Unidos necesitan sacar una foto y subirla al formulario de solicitud de la misma o llevarla en formato papel al consulado el dà ­a de la entrevista. Y es que en los casos de solicitarla en un consulado con Centro de Apoyo como CAS o ACS como sucede, por ejemplo, al solicitar la visa de turista en Argentina, Mà ©xico o Repà ºblica Dominicana, las fotos se toman en dichos centros junto con otros datos biomà ©tricos como las huellas digitales. Por lo tanto, toda la informacià ³n de este artà ­culo solamente aplica en los casos en los que las fotos no deban ser tomadas en un Centro de Apoyo. En el mismo se explican los requisitos de foto y fotografiado, tamaà ±o, peso y formato de las fotos digitales, cà ³mo saber si cumplen con los parmetros, cà ³mo modificarlos si fuera necesario y cà ³mo subir con à ©xito la foto al formulario de solicitud de la visa. Finalmente, cules son las caracterà ­sticas de las fotos en papel. Requisitos de las fotos para las visas americanas Las imgenes deben cumplir los siguientes requisitos: en color, con fondo blanco o blanco roto (off-white). La persona fotografiada, que es la que solicita la visa, debe mirar de frente a la cmara y asegurarse de que la cabeza sale centrada en la fotografà ­a y completa, desde el pelo hasta la barbilla, que debe alcanzar unas medidas de entre una pulgada y 1 3/8 pulgadas (entre 25 y 35 mm). Ambos ojos deben salir abiertos y la altura de los ojos caer entre 1 1/8 y 1 3/8 pulgadas del fondo de la fotografà ­a ( entre 28 y 35 mm). Para asegurarse de que se cumplen las especificaciones es recomendable familiarizarse con ejemplos que cumplen estos requisitos. No puede vestirse ningà ºn tipo de uniforme, salvo el religioso como por ejemplo en el caso de sacerdotes y monjas. Tampoco se deben llevar gorros, sombreros, velos o cualquier otra prenda u objeto que dificulte la vista del pelo, salvo que su utilizacià ³n està © justificada por motivos religiosos. Si habitualmente se utilizan audà ­fonos no es necesario quitarlos para sacar la foto si se tiene la precaucià ³n de evitar que se produzcan reflejos en los cristales. Sin embargo, en la actualidad si se usa espejuelos o lentes es necesario quitarlos, salvo cuando no sea posible hacerlo por razones mà ©dicas. En ningà ºn caso la oficina consular aceptar como vlidas fotos de mala calidad o que son el producto de haber escaneado la foto de un I.D., como por ejemplo una licencia de manejar. Tampoco son vlidas aquà ©llas en las que la persona sale de cuerpo completo. Dà ³nde tomar las fotos para la visa americana Si se est en Estados Unidos, en cualquier negocio de fotografà ­a que saquen fotos para el pasaporte americano. Lo mismo puede decirse de otros paà ­ses. En este caso es imprescindible hablar con el fotà ³grafo y especificarle los requisitos de fondo blanco, tamaà ±o, mirada al frente, etc. Incluso, si reà ºnen los requisitos, es posible hacerlo con un telà ©fono mà ³vil o una webcam. En estos casos, asegurarse de cumplir todas las directrices mencionadas y que la foto tiene calidad suficiente. Si la foto debe subirse al formulario de solicitud de la visa y no est ya digitalizada puede escanearse con una resolucià ³n de 300 pixeles por pulgada (12 pixeles por milà ­metro). Se puede enviar por correo electrà ³nico para descargarla en la computadora en la que se va a realizar el trmite de solicitud de la visa. Medidas, peso y formato de las fotos digitales para la visa americana. En los casos en los que la foto debe subirse al formulario de solicitud de la visa aparece la expresià ³n Photo Upload en dicha planilla. En estos casos, la imagen debe tener las siguientes caracterà ­sticas Tener una dimensià ³n mà ­nima de 600 x 600 pixeles (ancho x largo)En color de 24 bits por pixelSà ³lo se admite el formato JPEG.Y el tamaà ±o del archivo ha de ser de 240 kb o menor. Si es necesario, puede comprimirse con una proporcià ³n de 20 a 1 o menor. Se puede verificar si la foto cumple con esos parmetros colocando el cursor sobre ella y clickando con el botà ³n derecho del ratà ³n. Se abre la ventana de propiedades y, en la etiqueta de General puede verificarse el tamaà ±o en KB. En la etiqueta de Detalle puede comprobarse el alto y ancho de la imagen. Si no cumpliese con los requisitos seà ±alados anteriormente, es posible cambiarlos utilizando un programa. Para hacerlo, si se tiene una computadora con el sistema operativo Windows colocar el cursor sobre la imagen, hacer click con el ratà ³n derecho y en Abrir con elegir Paint. Checar la Barra de Estatus y asà ­ es posible ver la informacià ³n de la foto en la parte inferior de la misma. A continuacià ³n, para ajustar la foto a los parmetros necesarios clickar en el icono de Seleccionar para cambiar el alto y ancho de la foto. Una vez que en la barra de estatus se obtienen los nà ºmeros que se buscan clickar en Guardar y elegir como formato JPEG y a continuacià ³n en Guardar como, dale un nombre y guardar. Si se tiene una computadora Mac puede utilizarse Paintbrush. En todos los casos pueden utilizarse otros programas informticos de manipulacià ³n de fotografà ­a. Cà ³mo subir la foto al formulario de solicitud de la visa Cuando se est llenando el formulario de solicitud de visa el momento para subir la foto es cuando se llega a Upload Image. Se debe clickar en ese botà ³n. A continuacià ³n aparecen las directrices ya mencionadas sobre peso, dimensiones y formato. Si alguno de los parmetros no es el exigido se va a obtener un mensaje de error y, si es el formato el equivocado, un mensaje de Only JPEG Images. La solucià ³n es modificar los parmetros como se explicà ³ en el apartado anterior. Una vez que se est seguro de que todo est correcto clickar a Browse y elegir la foto. Dar a OK y aparecer la foto. En ese momento se pueden ver dos botones: Upload Again y Confirm. Clickar en este à ºltimo y dar a OK y asà ­ se sube realmente la foto al formulario y ya se puede continuar con la aplicacià ³n. Fotos 5x5 para la visa americana En algunos consulados o para algunos tipos de visas el requisito es llevar una o dos fotos a la entrevista. En este caso deben cumplir con los requisitos de fondo blanco o blanco roto, no espejuelos, mirar de frente, etc. explicados con anterioridad. Adems, la foto debe: Estar impresa en papel de buena calidadTamaà ±o de 5x5, es decir, 5 cm de ancho por 5 cm de largo, o lo que es lo mismo: 2 pulgadas por 2 pulgadas (51 x 51 mm).Si se pide ms de una foto, todas deben ser idà ©nticas. Adems, si la foto se subià ³ digitalmente siguiendo los puntos que seà ±alaba el formulario de solicitud de la visa es prudente llevar una foto de estas caracterà ­sticas tambià ©n el dà ­a de la entrevista. Para re-asegurarse de que la foto est clara y no ha habido ningà ºn problema con el sistema. Puntos Clave: fotos para visa americana Las visas no inmigrante, las de inmigrante y la loterà ­a de visas de diversidad requieren una fotografà ­a o ms del solicitante. Dependiendo del tipo de visa y/o consulado, el solicitante puede tener que presentarse a un Centro de Atencià ³n donde le tomarn las huellas digitales y la foto antes de la entrevista en el consulado.Por el contrario, si debe subirla digitalmente al formulario de solicitud de la visa o presentarla en papel en el consulado, los requisitos son los siguientes:Requisitos de la foto: en color, fondo blanco o blanco roto. El fotografiado debe mirar a la cmara, con los ojos abiertos y sin gafas ni sombreros o gorras. La excepcià ³n son los velos religiosos, por ejemplo, los de las monjas.Parmetros digitales: formato JPGE, mximo 240kb y medidas de 600 pixeles de ancho por 600 pixeles de largo. Programas como Paint y Paintbrush permiten modificar los parmetros de las foto para ajustarlos a estos requisitos.Foto en papel: debe ser de buena calidad y tener un tam aà ±o de 5 cm de ancho por 5 cm de largo. Si deben presentarse dos fotos, ambas sern iguales.Dà ³nde sacar las fotos: pueden tomarse en cualquier fotà ³grafo que saque fotos para pasaporte, especificando las caracterà ­sticas que debe tener la foto. Posteriormente, si debe subirse digitalmente para subirla al formulario de solicitud de la visa, puede escanearse empleando una resolucià ³n de 300 pixeles por pulgada. Este es un artà ­culo informativo. No es asesorà ­a legal de ningà ºn tipo.

Evidence based analysis of an area of professional interest and Essay

Evidence based analysis of an area of professional interest and implications for improving practice - Essay Example This is considered a relevant step since information on this can assist specific authorities, especially the health workers, in providing aid to child bearing and rearing families in every possible aspect to promote the integrity of the basic unit of the community, the family as a whole, especially the children, while practicing their profession. According to research, children who grow up with less attachment with their parents, are neglected, or even abused tend to have negative attitudes toward self, others and life, in general. These suggest the considerable influence of the parents in the current and future conduct of their children (Serketich & Dumas, 1996). Several theorists (e.g., Erik Erikson and Jean Piaget, among others), in fact, proposed that proper development in children are attained if parents or their primary caregivers are able to realize their needs in specific stages. Meaning, they are able to keep their children â€Å"safe, secure, and protected† with the right mix of â€Å"disciplining, entertaining, and teaching† and which can only be achieved once proper or good attachment with the child is maintained (Benoit, 2004, p. 541). ... d’s later social and emotional outcome.† Despite these, many question the validity of the existing claims since, according to them, the experience of child bearing and rearing is â€Å"highly individualized† and complicated to create a common ground regarding the concepts surrounding parent and child attachment (Goulet, et al., 1998). Nevertheless, the government continues to use these researches as supporting evidences to public policies such as â€Å"Every Child Matters,† the â€Å"Healthy Child Programme,† as well as the NICE Postnatal Care Guidelines. These policies provide standard procedures for related agencies to implement interventions in the provision of health care and alike to prevent the theory of the Cycle of Deprivation and promote the overall health and well-being of every member of the family, especially the children, to help them reach their full potentials and maximize these for the benefit of the general public. This paper will ex amine five research studies which tackle the importance of parent and child attachment to provide an evidence-based practice in health care. Data Collection As a review of related literature, recent research studies on parent and child attachment were searched to complete the five articles that will be subjected for analysis and examine whether findings can aid in improving practice of health care providers that will pave way to having healthier families with children reaching their fullest potentials. Using the search engines PubMed and MedlinePlus, the articles by Haight, et al., (2003) and Benoit (2004) were chosen with the titles â€Å"Understanding and Supporting Parent -- Child Relationships During Foster Care Visits: Attachment Theory and Research† and â€Å"Infant-Parent Attachment: Definition, Types, Antecedent,

Benefits and drawbacks of outsourcing strategies in the context of Essay

Benefits and drawbacks of outsourcing strategies in the context of attempting to improve the management of the supply chain - Essay Example It is outsourcing, as in off-shoring, which is a novel addition to contemporaneous supply chain management paradigms (Teece, 2005). While corporate experiential and empirical evidence pertaining to the outsourcing of some functions and steps within the totality of the supply chain management framework have fortified arguments in favour of the referred to business phenomenon, others have solidified opposition to it. Certainly, and as the experiences of both Nike and Dell Computers indicate, outsourcing has evolved into an integral componential element of the supply chain management paradigm, not only significantly reducing production and service costs while maintaining the integrity of quality standards but, it has significantly contributed to organisational capacity for efficient and effective operation and resource allocation. That, however, does not imply that outsourcing is not without its problems or that organisations do not have to contend with often formidable challenges prior to reaping the benefits of outsourcing. The failure of many organisations to do so, or to fully appreciate the importance of the o utsourcing planning stage, concomitant with a comprehensive articulation of the areas of supply chain management to be outsourced, and the outsourcing paradigm of each, should not be interpreted as evidence against the outsourcing of supply chain management functions. Instead, it should be more accurately understood as evidence for the exigencies of planning. 2. Introduction While popularly perceived of as a new phenomenon for which globalisation is held responsible, Domberger (2005) contends that outsourcing, as contracting, is a historical practice, solidly grounded in economic imperative and principle. As defined by Domberger (2005), outsourcing is best understood as a form of extra-contracting whereby, to reduce overall operational and manufacturing costs and maximise efficiency, firms and manufacturers have, traditionally and historically, contracting out specific steps in the work process, preferring to allocate work process steps according to specialisation, rather than the organisation assuming responsibility for the totality (Domberger, 2005).Outsourcing, from this definitional perspective is, thus, a cost reductive strategy, based upon the precept of specialisation. Concurring with the above definition, Sako (2005) maintains that outsourcing is the redesign of relationships within product manufacturing, organisational operation and supply chain management architecture. The components and principles of the aforementioned architecture have remained, despite technological evolution and innovation, the same but, the componential relationships within them have changed. Hence, while the supply chain management (SCM) architecture are still comprised of procurement, inventory planning, customer